Helen Evans, Ph.D
P R A C T I C E - B A S E D - R E S E A R C H
I/SPY: Welcome Citizens
Venue: Royal Central School of Speech and Drama
Description: An immersive dissemination of research process
Operation Trafalgar Square and National Gallery 2
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I/SPY: PERFORMANCE, POLITICITY
AND THE SURVEILLANCE TURN
Helen's Ph.D, I/Spy, converges practice-based-research in the Arts and Auto/Ethnography. Her practice is positioned between flâneurie (as per the Poe, Baudelaire and Benjamin lineage) – solo, undercover following and literary/photographic documentation of such, and the psychogeographic, city-centric, collective method of dérive.
Helen's supporting thesis examines four field investigations into surveillance performativity within an ideological social atmosphere of a democratic context, and how the associated behaviour of its citizens plays-out in and rendering a social surveillant mis en scene. It identifies, compares and theorises the perceived ocular power dynamics and associated behaviours of coteries of research-participants tasked with performing resistance whilst resisting performance; this is, essentially, about undercover performance in the everyday. Helen's thesis ultimately argues that and how surveillance culture both reflects and hails our latent sleuth.
Operation Tate Modern
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Operation Trafalgar Square 1
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public I . private eye . private I . public eye
Sanctity of Hair
Venues: Institute of Contemporary Arts (2007) and RCSSD (2006)
MA Practice-as-Research in performance
C O N F E R E N C E P A P E R S
Big Data: Public I/ Private Eye 2016
Performance and New Technologies Working Group (TaPRA ) University of Bristol
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Participation: About Turn (Concerning Spect-actorship) 2012
Theme: 'The Tyranny of Participation" (TaPRA Conference) University of Kent
Award: TaPRA bursary
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PUBLIC ‘I’: Intermediality, SurVEILance and the Interactive Turn 2012
Performing Research: Creative Exchange Conference RCSSD
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Intermediality: SurVEILance and the Interactive encounter 2011
Directing and Dramaturgy working group (TaPRA Conference) Kingston University
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What Are You Looking At? Participant-Spectatorship and Thirdspace Intersubjectivity 2010
Performing Research Conference Royal Central School of Speech and Drama
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Appropriating Inappropriateness: Transgression, Discomfort and Conscience 2006
(emerging a method/ology), MA, Central School of Speech and Drama